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The Battle of Okinawa
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Even though World War II ended some fifty years ago,
filmmakers have had an obsession with telling tales of war for
decades. If you talk to video game designers, they might be the ones
who are the most fascinated with it, and some have pointed out that
in the world of digital entertainment, the Second World War has now
gone on longer on home platforms than it did in real life. Usually
though, we see games as well as movies that are made here in the
United States, and that gives us our perspective on the war, but
thanks to AnimEigo, we can get the Japanese viewpoint.
The Battle of Okinawa; the title itself really sums up what
the focal point on the movie really is. The official dates for this
battle are March 18, 1945 through June 23, 1945, and what we
generally know and are told we’ve learned from our school history
books as well as The History Channel as well as a few other sources.
We also are told the Allies side of this moment in history, but this
film will show the other side.
The movie itself is actually quite an epic piece of cinema coming in
at around two and a half hours, but the filmmakers and director
Kihachi Okamoto, who also directed Zatoichi vs. Yojimbo among many
other films, manages to keep things interesting. The Battle of
Okinawa is told and displayed in a number of different ways.
Throughout the film, you have occasional narration that gives you
dates, places, and the important people that were involved not just
in the battle itself, but those in the military and power that made
decisions in this faithful moment in history. To go into detail on
all of them here in this review would be a rather taxing and tedious
process as there were a number of generals and military personnel
who had involvement in the events prior and during the battle. The
film even creates some fictitious personalities to humanize the
events.
It isn’t just dates however that are thrown out. The Battle of
Okinawa also showcases actual historical footage as well as
photographs from the battlefield. While much of the video is easy to
sit through as it simply shows planes or battleships, those that
have an aversion of the results of war may find that the photographs
are a bit unsettling as they show those who lost their lives in
battle, and as we all know, this is never some prim and proper
scenario but instead is a very real, grim, and often graphic
imagery.
The first half of the movie is really about the build up on both
sides. It shows how those on Okinawa retreated into the caves on the
island to use as a stronghold and base of operations. We also see
that during the war, the Japanese had a very strong sense of pride
and tradition, and rather than surrender, suicide was an acceptable
means to escaping the enemy, something that took the lives of nearly
400 souls on Iwo Jima. Like the American war effort, the Japanese
too would have women and young men offering their assistance in any
way possible. We even see women ready to take up arms with the cry
of “Death to America,” a sentiment that is now uttered in contempt
by other nations of the world today. If history teaches us anything,
it may be that like Japan, we may one day be able to have peace with
those who see us now as nothing more than infidels.
After a good deal of showing what is at stake and how the Japanese
forces at Okinawa are hopelessly outnumbered, the film moves into
what could really be considered to be the war aspect. This comes
after an intermission, something that filmmakers actually would
include decades ago, and an element that at times is necessary in
some modern cinema. The ensuing battle on Okinawa is much like the
rest of the film where you will have narration as well as photos and
stock video footage intermixed with the movie itself. As with many
Toho films, there is also a great deal of model usage, something
that they have perfected thanks to their kaiju films, but The
Battle of Okinawa does take a turn where it is dark. We see the
deaths on the battlefield, those who have survived and have to
undergo crude amputations, but even with the body count and the
wounded on the rise, the people of Okinawa would remain steadfast
until the very end.
Japan may have been our enemy during World War II, but this film
shows that like anyone, they were and still are a people who were
willing to give up their very lives to defend the land and homes
that were there own. Based on the subject matter, you may have the
assumption that The Battle of Okinawa is an anti-American
film circa the early 1970’s, but it is anything but that. It show
the horrors of war and part of the defeat the lead to the end of the
Second World War. Even today, there are people in Japan that are
trying to revise history, in particular the suicide that the
citizens of Okinawa and Japan itself would partake in rather than
become prisoners of war, and this film really illustrates the war
itself from both the Japanese point of view as well as the mindset
of the time.
The only problem with the older Japanese films is that obtaining
bonus materials seems to be something that is close to impossible.
The Battle of Okinawa contains a scant few extras including
the theatrical trailer, images from the film, and program notes that
give explanations to many different aspects and Japanese words and
phrases used within the movie, but there isn’t much else.
While American filmmakers have always tried to approach their war
films on a more fantasy level with reality mixed in and even details
changed just to suit the will of Hollywood, Japanese cinema seems to
try and stick to the facts. It does mix in fantasy and fiction as
well, but the real life struggles, sacrifices, and individuals
aren’t forgotten and for anyone who wants to learn more about World
War II from another perspective, The Battle of Okinawa will
fill in the finer points of one of the things that lead to Japan’s
defeat in the closing days of the war.
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Directed by:
Kihachi Okamoto
Written
by:
Ryozo Kasahara & Kaneto Shindô
Original Japanese Title:
Gekido no showashi: Okinawa kessen
Cast:
Keiju Kobayashi
Yuzo Kayama
Tetsuro Tamba
Tatsuya Nakadai
Mayumi Ozora
Katsuhiko Sasaki
Kenji Sahara
Eisei Amamoto
Ryo Ikebe
Ichirô Nakaya
Goro Mutsumi
Kamatari Fujiwara
Takamaru Sasaki
Akira Yamauchi
Eijirô Tono
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DVD
Features:
Anamorphic - 2.35:1
Audio: Japanese Dolby Digital 2.0
English Subtitles
Image Gallery
Theatrical Trailer
Program Notes |
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