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Creating a Pooh story is no easy task, let me assure you. The characters are so incredibly defined and identifiable, that any slight deviation from their norm would prove disastrous! If Disney wants to produce a film starring Donald Duck, in which he does not burst into one of his patented, furious, quacking tirades, it would not provoke dismay in most viewers. But image that Eeyore suddenly was no longer sullen and that Rabbit no longer stressed out over the slightest scenario! It would not be tolerable. Even the movements and voices of each character are so pronounced and recognizable, that there is no room for error without casting some serious shadows over the enjoyment of the film...if Pooh doesn't sound like Pooh, then all bets are off.
The story itself is done in the new Disney favorite (no doubt cost effective and creatively easy) style of three short stories tied together. Most recently, this technique was used on Atlantis 2, Cinderella 2, and Belle's Magical World. While I did not enjoy the format for these sequels, and still consider the idea to be a major cop-out for the studio, Disney got really lucky with Piglet's Big Movie, because all of the Winnie the Pooh tales have always been divided into short story format (a product of the books they were based on). In this case, the format seems to fit in just fine.
Coincidentally, and without any prior planning towards this by Disney I am sure; the format will also make this film more accessable to a younger audience. A sort of pre-cutting of the story into more easily managed "bite sized bits" for younger audiences to digest.
Of course, the gang soon discovers him to be missing and is convinced that the little guy is in some sort of perilous trouble and needs rescuing. But where should they start looking in a wood of a hundred acres? Having discovered a book full of Piglet's artful renderings of his past experiences, they decide to begin looking for Piglet at the sight of each memory; hoping that he may have returned to one of these scenes.
It is here that the "trilogy of short tales" format takes over and we go back with the characters to three separate events, each one a fuzzy-feeling remembrance of a classic Pooh tale: Christopher Robins expedition to the North Pole, Eeyore's house built at Pooh Corner, and the arrival of Kanga and Roo to the neighborhood. As the pals head to each of these locations, they revisit each memory and begin to realize that Piglet has always played a much larger part in their activities than anyone ever noticed. But before they can locate Piglet and share with him their new realization, they find themselves in exactly the sort of trouble they were worried Piglet had found. Who can possibly save them in their moment of need? Oh yeah, Pink Pig Power to the rescue!
A delightful mix of new and old, that will both fulfill your expectations and raise the bar a little. Disney better watch out making films that are this enjoyable! We may just go back to expecting ALL their releases to be this good! And as much as asking for another sequel from Disney scares me to death, I simply must demand that Eeyore gets his proper dues on screen next!
-aaron-
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