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Heartstopper
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Would two of your all time favorite horror films happen to be
Halloween II and Wes Craven’s forgotten Shocker? Have you
ever wished that there were a way that you could watch them both
together? Well, that’s too bad, because it’s not going to happen (and
seriously, who liked Shocker anyway?) However, there’s another
solution. What happens when you take these two horror films and mix them
together, hoping that everyone has forgotten about them. Why, you get
Heartstopper of course.
I’m becoming more and more convinced that the glory days of horror are
long behind us, and the genre has fallen victim to bad remakes (mostly)
and “original” creations that lacks scares, originality, and just about
everything else. Heartstopper does in fact have many similarities
to both Halloween II and Shocker, and the story goes a
little something like this:
Convinced killer Chambers (James Binkley) has been sentenced to die in
the electric chair, and now his time has finally come. While en route to
have the autopsy performed, Sheriff Berger (Robert Englund) has a chance
run in with a teen, Sara Wexler (Meredith Henderson) who wants to kill
herself. The Sheriff however has her transported to the hospital, in the
same ambulance as Chambers, but that’s not the end of the tale. Chambers
returns from the dead and is now stalking Sara, as well as every other
patient and staff member, as his brutal killings continue.
First off, I really do feel some sympathy for Robert Englund. Try as he
might, it seems that he will forever be remembered as Freddy Krueger,
and the horror films that he’s found himself a part of that are not a
part of the Nightmare franchise has been less than memorable. But, I
guess it’s better that he be remembered for that role than, shall we
say, Willie from the V television series. Robert Englund however
shouldn’t be the draw to this film, and in fact, nothing should.
Heartstopper is your average “teens in trouble” horror film where
a mysterious killer stalks them at every corner, though in this case
there are only two teens, Sara and classmate Walter (Nathan Stephenson)
and our killer is not so mysterious. While many horror serial killers
aren’t too vocal in their intentions, Chambers is, but his character is
portrayed with many lines of dialog that are supposed to be menacing
religious quotes and he comes across as being a rather bland Pinhead
type of villain, minus all of the cool things like hell-hooks and puzzle
boxes. And Chamber big claim to fame as a killer is that he rips out his
victim’s hearts, something that we see a few times in the film, and
while there are attempts to make these a bit different (the skin peeling
scene is probably one of the best) it gets tired.
Okay, think about this, what’s cooler to watch? We know that Jason is
somehow going to kill a teen or three, but how exactly is he going to do
it, that’s the real question. Chamber however, we already know that he’s
going to tear someone heart out (though there are a few other methods of
death, but not many) and there’s only so many times you can do that
before it gets old. And again, there are a few good gore scenes, but
nothing that’s really out of the ordinary and nothing that is
groundbreaking or unique.
Most of the film is spent in the hospital with Sara and Walter trying to
escape Chambers, and that’s where you’ll find the Halloween II
element in the film. This is yet another overdone horror element, and
there’s only so far you can take the “run and hide” premise before it
also gets a bit stale, and that’s exactly what happens here. It’s
nothing we haven’t seen before countless times, and it’s not even done
well. Instead it’s just another bit of predictability that comes with
the film.
There are other things in the movie that really are pointless. There are
often flashbacks to some of the other murders that Chambers has
committed, and it seems to simply be an excuse to toss in a bit more
gore. Now, I’m one who is all for blood, and in fact the bloodier the
film, the better (Day of the Dead still remains one of my favorite
horror films) but there needs to be a point, and it’s just not present
here. Heartstopper also is a victim of some very poor script
writing (the line about “nice PSP” kills me for some reason) and often,
bad lighting.
Now, here’s what I don’t get; how can a film like this suffer when you
have Bob Keen working on it. You might now know the name immediately,
but he’s worked on special and make-up effects on films such as
Hellraiser (the first three), Alien, The Empire Strikes
Back and a number of other feature films, and with some very
prestigious and well-known films under his belt, you’d think that the
transition to directing would be an easy one. Sadly, it isn’t bad ideas
and dialog that drag this film down, but bad lighting, a few bits of
shoddy effects, and virtually everything else.
The DVD comes with a lacking extra features section. There are
interviews with Robert Englund and Bob Keen, but that’s really all.
While this segment runs around 30 minutes, I always enjoy seeing other
behind the scenes features, like a look at the effects and such, no
matter how bad a film might be.
Heartstopper isn’t going to make any serious waves in the horror
genre, and I have a feeling that it’s going to be quite some time before
a director comes along that can grow to legendary proportions and stand
proud among elite names like Romero, Craven, Carpenter, and many others,
though Alexandre Aja (director of High Tension and the remake of
The Hills Have Eyes) is coming very close. Heartstopper is
a forgettable journey into horror rehash and the only thing that is
truly frightening is that again, we find a lackluster idea getting
financial backing.
-mike-
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Directed by:
Bob Keen
Written by:
Vlady Pildysh & Warren P. Sonoda
Cast:
Meredith Henderson
Nathan Stephenson
James Binkley
Michael Cram
Robert Englund
Laura DeCarteret
Scott Gibson
Ted Ludzik
Lori Hallier
John Bayliss
Wayne Flemming
Celine Lepage
David Roche
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DVD
Features:
Interviews w/ Bob Keen & Robert Englund
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