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Hellraiser: Deader
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You know
what I like about the Hellraiser movies? I'll tell ya.
You will find all sorts of people in this world who don't like horror
movies. You've heard it all before: "I don't like the blood!" or
"Those movies freak me out!" or "Why would you want to watch something
like that?". But in nearly every one of these instances, you can
get that person to watch just about any horror movie if you work at it
hard enough. You MAY even get them to like a few of them, or at
least respect the genre a little more. Toss in Halloween and they
may watch the whole film with their eyes hidden behind their fingers,
but at the end they will say something like: "That wasn't so bad!" or "I
thought it was going to be so much worse." But Hellraiser?
No, no friends...
You
just aren't going to get one of these 'fraidy cats to sit down and
subject themselves to an hour and a half of the horrors that make up a
Hellraiser flick! Now you and I know that these films
aren't any worse than any other (well, maybe a little! shhh), but the
hype and buildup of the Hellraiser mythos is such that it carries
with it a certain credibility for being a torturous drag through a
mental field of glass or a generous whipping with a flail of barbed wire
on your senses. Such is the power of Hellraiser, in all of its
glory; but this power is dwindling...and dwindling fast...
Each
subsequent sequel has sapped a small piece of Hellraiser's
influence over the world of horror, with the revolting Hellraiser
III: Hell On Earth doing the most damage with its weak plot and
saturation of both Pinhead himself and some of the worst Cenobites ever
conceived. So when it was announced that there were to be two
Hellraiser sequels released this year in 2005, I became a bit concerned;
parts 4 and 5 managed to hold a little ground, but how long can a
franchise doomed to straight to video releases survive? These next
films would have to be strong indeed to pull this series out of the
abyss and back into the consciousness of horror fans everywhere.
I
have not seen the seventh film (Hellraiser: Hellworld) as of yet,
but I can most assuredly attest to the sixth of the series.
Hellraiser: Deader may not be the salvation of all things Cenobite,
but it is a damn fine horror film that surprised me with its quality and
overall ambience. While the title leaves a little to be desired
(not deader as in adjective, deader as in noun), the film itself didn't
leave me asking for much more; a surprise considering the relative
unknown factor of most of the acting talent, if not to the business, at
least to the genre.
There is
one genre veteran who shows up here, in the lead role no less; and that
is Kari Wuhrer. You may recall this gorgeous actress from films
like Eight Legged Freaks, Anaconda and Malevolent,
and the television show Sliders; but I recall rushing home from school
to watch her host the late 80s MTV game show, Remote Control. With
catagories like the Wheel Of Torture and How Dumb Can You Be, the show
was almost entertaining enough to get me to tear my drooling gaze from
the hostess...but not quite.
In
Deader, Wuhrer takes on the role of Amy Klein; an investigative
reporter who is assigned a bit of research in Eastern Europe. It
seems that there is a group of people who have mastered the power over
life and death, although the entry fee to this particular club is a bit
steep. A gun to the head, a knife to the chest or something
similar is all it takes to get things started; and after the inductee
has offed themselves, Winter, the leader of this bizarre underground
cult will do what it is he does and bring them back. They are
called "Deaders", and the description might not be far off from the
truth.
But Amy is not
going to discover the truth easily, as Winter is not an easy man to
find, and the Deaders are even harder to locate. Despite many a
warning of terrible danger, Amy remains intent on discovering the truth.
But when she does, the questions are just beginning. How do these
people escape death, what is the price they must pay, and who is doing
the collecting? Of course there is also the issue of a small wood
and brass box which seems to lie at the heart of the whole mystery, and
the very pale man with a prickly complexion who wants it back...
Now
if this doesn't sound like the usual Hellraiser fare, it is because it's
not. You see, Deader wasn't ever meant to be a Hellraiser
film; it was written as a stand alone feature and later adapted as a
continuance to the Hellraiser line. Splice in a little
Pinhead here, mix in a bit of Lament Configuration there, and of course
have some chains tear some fool's face off and PRESTO, you've got
yourself a veritable Black Pope Of Hell horror show going on where once
there was only a tale about escaping death. Frankly, I'd rather
have the Cenobites in any film rather than not!
Deader
does a terrific job of fitting the pre-established mold and expectations
of the House That Clive Barker Built. Whether on the pages of The
Hellbound Heart or on the celluloid of the Hellraiser films, it
is all about atmosphere, atmosphere, atmosphere! And this is one
thing that Deader serves up in heaping portions. From
underground labyrinths to seedy subway trains there is a sense of
darkness and bleak tragedy permeating the entire running time. The
whole film seems to have been lit with indoor fluorescent lighting (and
in fact, all of the subway scenes were!), and you will spend the entire
time trying to see just a little bit more than what you are allowed to.
The
story is suitably odd and while the shoehorn tactics of sliding Pinhead
into the action aren't perfect, the two halves come together in a
pleasing whole. Wuhrer does a fine job and proves that she has
picked up a thing or two in this whole acting gig somewhere over the
years, which may be why we are seeing her in so many genre pieces right
now. She stars in another Buena Vista release this month, The
Prophecy: Uprising; and in fact, these two films might as well run
the same credits. Wuhrer, Doug Bradley (Pinhead) and actress
Georgina Rylance all appear together in both films...which are both
being released by the same studio, with the same producer, the same
visual effects team and, of course, the same casting agent (who
apparently needs to branch out a little!). And here I thought the
days of studio films were past!
This is a
horror movie after all and the gore is pretty good! In fact, there
are more than a few scenes which should have the gorehounds laughing and
pointing like we enjoy doing so much. In fact, I was in heaven
during a particularly enjoyable scene which had us follow a victim from
the point a knife penetrates her back (sticking out the front!), her
stumble into the bathroom and the subsequent slip and slide routine as
she tries for several minutes to pull the knife out of her back...using
a creative method to get a hold of the handle which she can't reach with
her hands. Of course all the while there is a healthy amount of
blood dripping and drenching the whole room until what we are seeing is
a simply marvelous middle finger to those poor jerks who have to watch
these films and assign the ridiculous MPAA ratings.
Gloom,
doom and a bloody room...yup, it sounds a whole lot like a Hellraiser
film to me, and I am sure that you will see it this way as well.
Quite frankly, I like the way these new films each have their own
personality and act as chapters in a never-ending story, more than I was
pleased to see the way the Cenobites were becoming the new Freddy
Kruegers of horror cinema. Not every fan sees it my way I am sure,
with many winding up disappointed that Pinhead doesn't have the lion's
share of screen time. To these fans I say don't worry...there is
plenty of religious blasphemy and blank stares pouring out of the guy to
keep you happy.
As if you still needed any reason to check this one out, there is a
tremendous selection of extras on this disc. Everything from
location scouting to gag reels to a making of featurette fill out the
collector value. Multiple looks into the effects, both practical
and computer aided, are as informative as they are entertaining, and
give the nerdish horror geeks amongst us something to analyze.
Commentaries and deleted scenes give us those behind the scenes peeks
that we are always salivating for. And speaking of salivating,
there is one other reason to pick this one up! Kari Wuhrer is way
hotter than Ashley Laurence! (Sorry Ashley! You're still the
number one Hellraiser girl!)
-aaron-
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Directed by:
Rick Bota
Written By:
Neal Marshall Stevens
Based On The Writings/Characters Of:
Clive Barker
Cast:
Doug Bradley
Kari Wuhrer
Paul Rhys
Georgina Rylance
Marc Warren
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DVD Features:
Widescreen Presentation 1.85:1
Dolby Digital 5.1 Surround Sound
French & Spanish Subtitles
Deleted & Extended Scenes W/Optional Commentary
Gag Reel
Making Of Featurette
Behind The Visual Effects Featurette
Practical Effects With Gary Tunnicliffe
Storyboard-To-Film Comparisons
Location Scouting
Photo Gallery
Two Feature Commentaries
All Photos:
© Buena Vista Home Entertainment, Inc.
All rights
reserved.
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