Media
Blasters! I love you guys! You have given us some of the
most sought after pieces of cinema from anime to zombie films, from
kung-fu ass kicking to exploitation ass licking. I have learned to
trust Media Blasters' releases to be sure fire additions to my
collection, and you should too. BUT this time...something slipped
through...something very bad indeed.
I
have always had a certain problem with the art community, and I can
sum it up with one sentence. Far more often than not, critics
and fans alike mistake a severe lack of talent for genius or creativity.
Words like "brilliant", "inventive" and "groundbreaking",
replace the far more accurate "disjointed", "simple",
or "easy". In a world where "modern artists"
can splash paint on a canvas and produce a piece of...and I use the
term loosely...art to fulfill some vision, it should come as no surprise
that a wonderful directors daughter can throw some moving images together
and start winning some awards. But still, I am surprised with
Scarlet Diva.
This
"story" (please excuse the over-use of quotation marks but
I don't want to confuse anyone) is a semi-autobiographical tale of
a young actress, named Anna Battista for the film, and her experiences.
I would like to say that there is a reason for these experiences,
but there really isn't...at least not that I could find. What
we get instead are impressions. I am under the impression that
Anna is a drug user. This is due largely in part to the numerous
scenes of drug use. I am also under the impression that Anna
is a bit of a whore. This is because of the numerous scenes
of Anna having sex, with lots of people, men and women...some of which
she knows, some she does not. Also the fact that her doctor
has performed numerous abortions for her tells a little something.
I also get the impression that Anna doesn't have a whole heaping lot
of self esteem since she lets people treat her like s--- the whole
film and falls in deep love with the first familiarly tortured soul
she can find and then lets him s--- on her as well.
Now all of
this has the makings of a wonderful morality tale dealing with this poor
girls rise from the ashes like a junkie phoenix transforming herself
into a stable person. Nope. Or maybe if it was the
antithesis of that, and our heroine was teaching us of life's disappointments
and the fact that no one gets ahead that isn't born ahead. But
nope. There really is no point.
Worse, the
impressions that we are given about this character are not always
reliable. Anna is pushed into a rage as her best friend is abused
by her man, to the point where she attacks the guy. But after a
quick back-hand, Anna watches in fascination while this guy has some
abusive makeup sex and leaves her friend with this guy content that even
though she got smacked, her friend is getting some.
I
could go on and on but basically there is no point. I am not
surprised that this won several film festival awards, because lets
face it, they pride themselves on applauding anything outside the
norm (how many people were given motion sickness, or just plain sickness
by theatrical releases of the Blair Witch...releases that would not
have happened had it not garnered some awards?).
Scene
after scene of nudity, sex, drugs, alcohol, attempted rape and horrible
acting can be excused if they are trying to tell us something. But
if it is just for reaction and to earn that title of "breakthrough
filmmaking" than they are just garbage, and this one should be
taken out to the curb straight-away.
-aaron-
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Directed
By:
Asia
Argento
Written
By:
Asia
Argento
Cast:
Asia
Argento
Jean
Shepard
Herbert
Fritsch
Gianluca
Arcopinto
|
DVD
Features:
English
Subtitles
Interview
with Asia Argento
Director's
Commentary
Theatrical
Trailer
Photo
Gallery
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